About Port Covington dot com

A Fan Page for Port Covington

PortCovington.com: is a “fan page” for Port Covington, the geographic area located on the southern shore of the South Baltimore Peninsula, bounded by Westport Baltimore to the west and South Locust Point the Cruise Maryland Terminal to the east. Port Covington’s waterfront is on the Middle Branch of the Patapsco River, which provides deep water access to the Chesapeake Bay and the world beyond. Neither this website nor it’s owner are in any way affiliated with the developers of the “new” Port Covington or the City of Baltimore. 

Port Covington Entrance SignAs a former geography teacher, homeowner and resident of South Baltimore for well over three decades, it will be fascinating to watch and experience the forthcoming geographic and economic-commercial changes along the shores of the Middle Branch of the Patapsco River throughout the next decade. Changes currently underway in Port Covington will certainly have a positive impact on the area. Port Covington is about to become one of the most impressive and important development projects along the entire East Coast. When full development plans are complete and approved the eventual impact on the entire City of Baltimore will be huge – and quite beneficial to the entire city of Baltimore.

An easy way to keep up-to-date on Port Covington news and “happenings” is to subscribe to the Port Covington Daily Update. This is a daily set of curated article headlines from around the Internet and social media – delivered to your inbox in summary form. It (also) does NOT contain a raft of ads like so many other such services.  

This website will attempt to share some of what we see happening. It will not be glitzy and fancy like the “official” corporate website (BuildPortCovington.com) but it will be a way for this ol’ teacher to keep notes – and share some of those notes with readers who manage to find Port Covington online.

Another objective of the webmaster is to help promote and/or publicize the growth and development of this section of the South Baltimore peninsula. “SOBO” or “SouthBmore” – as some people call it – has been our home for many,Business Checks many years and we very much like to see great things happening in our community.

Yet another objective is for this website to generate some revenue. This will likely be accomplished by including some advertising and some affiliate links. If a visitor/reader clicks on an affiliate link and subsequently makes a purchase from that merchant we may earn a small commission on that sale.

How ’bout them Os?

You know you need a new ball cap – to support your home team – all styles (all teams) – from Fanatics, of course.

Baltimore Arts & Prosperity Report Released


The Baltimore Office of Promotion & The Arts announces that today the Americans for the Arts has officially released the study Arts & Economic Prosperity 5: The Economic Impact of Nonprofit Arts & Cultural Organizations & Their Audiences in the City of Baltimore. The report states that the city’s nonprofit arts and culture sector is a $606 million industry supporting more than 15,000 full-time jobs and generating $54.5 million in local and state revenue. Also, it emphasizes that the arts are an investment that delivers both community well-being and economic vitality.

It’s extremely important to have this data that highlights our creative economy showing the growth of this important sector. Over the past ten years, we have more than doubled in all areas including spending, revenue and jobs.  This is a real indication of the growth of Baltimore’s arts & cultural community,” said Mayor Catherine E. Pugh.

In the past ten years, the nonprofit arts and culture industry expanded from $270 million in spending noted in the 2007 report to more than $606 million indicated in the 2017 report.  In addition, full-time support jobs increased from 6,418 to 15,052, and total local and state revenue grew from $23 million to $54.5 million.

“The cultural industry is extremely important to Baltimore’s economic health and vibrancy by not only providing creative activities and programs but also by providing jobs to residents and local revenue to Baltimore City’s economy,” said Bill Gilmore, Chief Executive Officer of the Baltimore Office of Promotion & The Arts.

The complete report can be downloaded from www.promotionandarts.org or www.artsusa.org/EconomicImpact.

The Arts & Economic Prosperity 5 study was conducted by Americans for the Arts to document the economic impact of the nonprofit arts and culture industry in 341 communities and regions (113 cities, 115 counties, 81 multicity or multicounty regions, 10 states, and 12 individual arts districts)—representing all 50 U.S. states and the District of Columbia. Americans for the Arts partnered with 250 local, regional, and statewide organizations that represent the 341 study regions (30 partners included multiple study regions as part of their participation). To complete this customized analysis for the City of Baltimore, the Baltimore Office of Promotion & the Arts joined the study as one of the 250 partners.

The Baltimore Office of Promotion &The Arts is a 501 (c) (3) non-profit organization which serves as Baltimore City’s arts council, film office, and events agency. By producing large-scale events such as Light City, Artscape and the Baltimore Book Festival, and providing funding and support to artists, arts programs and organizations across the city, BOPA’s goal is to make Baltimore a more vibrant and creative city.


Winners Announced for 2017 Baltimore Screenwriters Competition

For Immediate Release: May 6, 2017, Baltimore Office of Promotion & The Arts



The Baltimore Film Office, a division of the Baltimore Office of Promotion & The Arts, announces the winners of the 12th annual Baltimore Screenwriters Competition.  In the feature category, the winners are Evan Balkan, Miceal O’Donnell and Starr Harris.  In the shorts category, the winners are Warren Watson, David Ruiz and David Joyner.  Winners receive prizes, including cash and all access passes to the 2017 Maryland Film Festival.  The competition is designed to create awareness of screenplays as a literary art form and to encourage new screenwriters into the entertainment industry.  The 2017 Baltimore Screenwriters Competition is a project of the Baltimore Film Office at the Baltimore Office of Promotion & The Arts, in conjunction with film programs at Johns Hopkins University and Morgan State University.  Funding is provided by Morgan State University, The Arts Insurance Program, a division of Maury, Donnelly and Paur and Johns Hopkins University.  Additional support is courtesy of the Maryland Film Festival, NEXTCAR, Visit Baltimore, The Charles Theatre, the Senator Theatre and Landmark Theatres.


First Place: Evan Balkan, “Children of Disobedience” – Ryszard Flintlock is an ex-rock megastar now well past his prime.  Forced to move out of his home, he takes a room in a house with Sonia Farfelli and her son Sammy, who is twenty years Ryszard’s junior and fresh from leaving the seminary after less than one semester. Both men are lost in in need of a real and lasting bond, a relationship that provides depth and comfort. “Children of Disobedience” is the story of how they find it in one another.

Evan L. Balkan’s screenplay Spitfire, adapted from his novel of the same name, won both the 2016 Baltimore Screenwriters Competition and a Saul Zaentz Innovation Fund Fellowship. He is a co-writer for the television series, Wayward Girls, which will be shooting its pilot in fall 2017. He is the author of six books of nonfiction, including The Wrath of God: Lope de Aguirre; Revolutionary of the Americas (Univ. of New Mexico Press) as well as many essays and short stories in an array of publications. His novel Spitfire is forthcoming from Amphorae Publishing.  He coordinates the English Department at the Community College of Baltimore County, where he runs the creative writing program, and is an adjunct faculty member in the Johns Hopkins University’s graduate Teaching Writing program. He holds degrees in the humanities from Towson, George Mason, and Johns Hopkins universities. The latter degree is in creative writing with a fiction concentration and his thesis project, the novel Root That Mountain Down, won an Individual Artist Award for Fiction from the Maryland State Arts Council and was subsequently excerpted in the Baltimore Review. He has served as a guest lecturer at Yale, Johns Hopkins, Bryn Mawr and many other institutions.

Second Place: Miceal O’Donnell, “Little Pig , Little Pig” – Dorothy, a doctor’s wife and mother in the 1950s, struggles between satisfying her responsibilities to her family and her dreams of pursuing life as an actress.  When Dorothy’s fellow drama school alumni gather at a house party late in the summer, they reenact a scene from one of their musicals, and her passions are re-ignited.

Miceal O’Donnell is a graduate of St. Joseph’s University where he received his Bachelor’s degree in Fine Arts. Post-graduation, he was a studio assistant under internationally acclaimed artist Ron Klein, studied fiction writing under Pulitzer Prize winner Stephen Dunn, and was a baker until joining the U.S. Coast Guard in 2000, where he served as a Coxswain, Federal Law Enforcement Agent, performed Search and Rescue missions, and was the unit’s EMT and training Petty Officer. During his time he earned the Coast Guard Achievement Medal. He resided in New Orleans for ten years where he made a number of micro-budget feature and short films, shot a short film in Berlin, Germany, and moved to Baltimore, MD with his wife in 2012. His feature film, “Dante and Minnie,” screened at the Baltimore International Black Film Festival in 2015.  Most recently he released a web series, “Blue Light,” about a 1950s housewife, Mildred, who comes home to find people from the future talking to her through her television set.

Third Place: Starr Harris, “Storms in London, Paris” – “Storms in London, Paris” is the story of a brother and sister whose mother was accidentally killed by the police while trying to defend their father and how that tragedy manifested its effects in their adulthood.


First Place: Warren Watson, “Redemption Song” – Two men from vastly different backgrounds try to reconcile their differences in the wake of the 2015 Baltimore riots.

Warren Watson is an actor and production professional with over 25 years in the television and film industry. Warren has acted in feature and short films, national television programs and commercials. On the production side, Warren has been a cameraman for such shows as “Modern Marvels,” “America’s Most Wanted,” “E! True Hollywood Stories” and many others. Warren has also been a Producer for “Bikeweek,” “World Business Review,” Retirement Living Television and numerous corporate productions. “Redemption Song” is his first attempt at screenwriting.

Second Place: David Ruiz, “The Century List” – Norman Riggs, a former soldier who fell on the battlefield during the Spanish-American War, is recruited by “Joseph” in the afterlife to take on the role of Death for 100 years.  Here, he hopes to find redemption and receive another chance at a new life to do things the right way.

As the first American born to an Argentine family, American cinema made a huge impression on David from an early age. From studying Theatre in high school and working at Blockbuster (yes, back when they were plentiful), David fully immersed himself in film.

In addition, David is a writer of memoirs. He created his own website, The Moron Editorial, in 2008. He self-published his first e-book in 2013, entitled The Moron Editorial: Volume 1, with the follow-up set to release in summer 2017. David is honored to participate in the Baltimore Screenwriters Competition for the first time.

Third Place: David Joyner, “K1ng_Pe5t” – When teenage sisters skip Christmas with Grandma to play video games, their world turns inside out.  They use cheat codes to access new game features, but the characters in the video game have their own cheat codes.

David is a mathematics professor at a local college who has been writing technical books and articles for over 30 years. His short “Quantum Insurance” won the 2015 Baltimore Screenwriters’ Competition in the short category. His (self-produced) narrative film projects include “Beyond the Door” (a short based on a story by P.K. Dick), “Quantum Insurance” (short based on the BSC award-winning script), and the web series “Tam’s World” (based on an original script, using characters from Quantum Insurance). His non-fiction article “The man who found God’s number” won a 2015 Polya Award from the Mathematical Association of America. He and his wife Elva live just outside Annapolis, Maryland.

In the feature category, the first place winner receives $1,500, an all access pass to the 2017 Maryland Film Festival, a Weekend in Baltimore Package, a rental car for the weekend and passes to area movie theaters.  The second place winner receives $750, an all access pass to the festival and movie passes.  The third place winner receives $350, an all access pass to the festival and movie passes.  In the shorts category, winners will receive cash prizes.

All scripts were judged by film and television industry professionals.  The 2017 judges are writer Norman Steinberg (“Blazing Saddles,” “My Favorite Year”), producer Nina Noble (“The Deuce,” “Treme,” “The Wire”), producer Grant Curtis (“Teenage Mutant Ninja Turtles 2,” “Spiderman,”) and producer and studio executive Larry Kostroff.

For more information on the Baltimore Screenwriters Competition, visit www.baltimorefilm.com or call 410-752-8632. For more information on the Baltimore Office of Promotion and The Arts, visit www.promotionandarts.org.

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